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Not only will I be attending Stokercon this year, I will be speaking on the following panels and have managed to score a reading! Thank you, Lee Murray!

Coming-Of-Age Horror In The Era Of Netflix

6.00 pm, Thursday, May 9,  Berkley Room

"The popularity of Stranger Things, IT, and The Chilling Adventures Of Sabrina suggests a resurgence in coming-of-age horror. Our panel explores the fascination with—and the allure of—this sub-genre, from its metaphors about puberty and loss of innocence, to the visceral fears evoked by child endangerment and abuse, to potential opportunities writing fiction in this market."

Moderator Nancy Lambert will guide myself and Tom Deady through this conceptual minefield.

Reading Block 5

9.00 am, Friday, May 10, Winchester Room

I will be joined by the excellent Kathleen Kaufman and Ken MacGregor--did they organise this alphabetically?


Exit, Stage Death

3.00 pm, Friday, May 10, Grand View Room A

"Theater brings a proximity to the audience that movies simply cannot replicate. The recent success of Hamilton shows that people still crave live interaction. Even Guest of Honor Josh Malerman chose to contribute a stage play for the souvenir book. Horror theater is alive and well! Panelists will discuss the history, theory, and practice of putting elements designed to cause fear on the stage, as well as the challenges of adaptation, practical tips on how to write scary for the stage, and how to confront the challenges of writing plays for audiences raised on cinema and television."

Moderator Ken Wetmore will hopefully prevent April Grey, Brad Hodson and myself from taking this too far.

Twisted Tropes – Making the Common Uncommon

4.00 pm, Saturday, May 11, Grand View Room B - C


"Tropes in horror writing are recognizable: vampires, werewolves, zombies, ghosts. Most get in the way of good stories. This panel will discuss past successes at twisting these tropes into something fresh and explore how you can create your own unique approach to tropes."

With Megan Arcuri, Michael Arnzen, John Kachuba and Stephen Jones, as well as me, Rob E. Boley will have his hands full moderating this!

I can also probably be found stalking GoH Kaaron Warren, wandering dazedly in the Dealer's Room and killing it at the Open Mike Poetry session. Now, if you'll forgive me, I have to get back to watching the second season of Sabrina.

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Every so often I attempt to read proactively for the Stoker Awards, so as to add things to the Recommended Reading List which contributes to the first ballot. It's not something I can manage every year, especially if I intend actually voting and am also doing the Hugos. I have never yet managed to nominate something in every category. With a month left to go, the following represents my personal picks in a whole six of the official categories, plus another few that I made up. I read a good deal more and may even have nominated more over the course of the year. But this is, above all, a list of things that are unashamedly to my own taste, which I am happy to recommend to you.


Nil Pray, Christian Read, Gestalt Publishing. My review is here.

Down Among the Sticks and Bones, Seanan McGuire, Tor.com. In a simpler time, nice children would open wardrobes and go to Narnia. Conflicted, contemporary children end up in the Moors--my spiritual home. By the Stoker rules, this counts as a novel. It will count as a novella for the Hugos. Either way, it is brilliant. It's the second of a series (the first won a Hugo) but I went in cold with no problem.

Borne, Jeff Vandermeer, HarperCollins. A complete societal and environmental collapse is much more fun with genetic engineering and drugs! And bears. Please do not genetically engineer the bears.

The Strange Case of the Alchemist's Daughter, Theodora Goss, Saga Press. “And then the clever author looked at her thesis and said, “Goodness me! There are an awful lot of interesting female monsters in 19th century horror fiction that are killed as soon as they appear. What would happen if the poison girl, the panther woman and Justine Frankenstein survived?””


Long Fiction

Agents of Dreamland, Caitlin Kiernan, Tor.com. Oh, the prose, the luscious, fungal prose...

My English Name”, R. S. Benedict, The Magazine of Fantasy & Science Fiction, May/June. The world of this piece is an alienating phantasmagoria. Hint: it's this one.


Short Fiction

“We Are Turning on a Spindle”, Joanna Parypinski, Nightmare Magazine #61. Oh the prose, the luscious, gothicky prose...

“Furtherest”, Kaaron Warren, Dark Screams: Volume Seven, ed. Richard Chizmar & Brian Freeman, Hydra. A small masterpiece of atmosphere and poisoned memories.

“Sweetlings”, Lucy Taylor, Tor.com. Come, let us dine. The first course is trilobite...

“Laying the Hairy Book”, Joshua Reynolds, Weirdbook Annual #1: Witches, Wildside Press. Robust, folksy perfection.



Diary of a Sorceress, Ashley Dioses, Hippocampus Press. My review is here.

Visions of the Mutant Rainforest, Robert Frazier and Bruce Boston, Crystal Lake Publishing. The long-awaited collection of poems and vignettes charting how their mutual creation transforms humanity and claims the world.



Paperbacks From Hell, Grady Hendrix, Quirk Books. This is not just an art book that deserves to be shelved next to Haining's A Pictorial History of Horror Stories, it is an excellent work of cultural history. And funny. Really, really, funny.

The Body Horror Book, ed. Claire Fitzpatrick, Oscillate Wildly Press. Once again, my review is here.



The Stokers lump film and television together. Please note that this award goes to the script writer rather than the director.

The Endless, Justin Benson, Snowfort Pictures, et al. AIEEEEEEEEEEEe that's some great cinematographYEEEEEEEEEEE!!!!

Get Out! Jordan Peele, Blumhouse Productions. This is how you do it, people, razor-sharp and stylish. Also, possibly the best improvised weapon ever.

“Trick or Treat, Freak”, Chapter Two: Season 2, Stranger Things. Paul Dichter, Matt Duffer, Ross Duffer, Jessie Nickson Lopez & Kate Trefy. Netflix Studios, et al. And here's my conflicted childhood. Did I mention the Moors?

“Got A Light?” Episode 8, Twin Peaks: the Return, Mark Frost & David Lynch, Showtime Networks, et al. Yeah, that one.

Best Title

Is shared by “Laying The Hairy Book” and “Shoggoths in Traffic”, Tobias S. Bucknell, Lightspeed #88.


Worst Pun

“No Holds Bard”, Adrian Cole, Weirdbook Annual #1: Witches, Wildside Press.


Things I Would Have Loved To Nominate But Couldn't

… because it should have been last year.

“Eyes I Dare Not Meet In Dreams”, Sunny Moraine, Tor.com. Beautiful dead girls start climbing out of refrigerators the world over, and amongst other things, stalk Joss Whedon.

The Love Witch, Anna Biller, Anna Biller Productions, et al. Have you freaking seen this?


A Couple of Individual Poems I Really Liked

Yes, I should join the Science Fiction Poetry Association, but I fear the addition of the Rhysling Awards would drive me mad.

“Pomegranates and Ashes”, Gerri Leen, Eternal Haunted Summer, Summer Solstice issue.

“Mistress of the Dark Fortress”, Leigh Blackmore & K. A. Opperman, Spectral Realms #6, Hippocampus Press.

“Cthulhu Listens To The Beach Boys”, Kate Lechler, Liminality #13.


And that's it! As always, I am happy to enter into discussion of cool stuff, though it will have to be quick! The field of things that deserve to be read is effectively infinite: we can only do what we can.


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